I’ve watched a lot of Ozu films recently and I’m about to make my own films depicting contemporary Taiwan - Hou Hsiao Hsien, TALKING WITH OZU
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| Early Summer / Good Men, Good Women |
Below is a companion/sequel to last year's post on the visual similarities between the work of Yasujiro Ozu & Hou Hisao Hsien (click here to see part one). Like the first entry, these comparisons are a combination of intentional homages (Cafe Lumiere, Good Men Good Women) and unintentional/coincidental homages (it is speculated that Hou did not discover the work of Ozu until midway in to his filmmaking)..
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| The Flavor Of Green Tea Over Rice / The Puppetmaster |
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| Late Autumn / Good Men, Good Women |
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| Late Autumn / Good Men, Good Women |
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| The Only Son / A City Of Sadness |
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| Early Summer / A City Of Sadness |
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| The Only Son / A City Of Sadness |
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| Floating Weeds / A City Of Sadness |
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| Floating Weeds / Cafe Lumiere |
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| Equinox Flower / Three Times |
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| Late Autumn / Cafe Lumiere |
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| Floating Weeds / A The Puppetmaster |
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| Early Summer / Flowers Of Shanghai |
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| Early Summer / Flowers Of Shanghai |
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| Late Spring / Millennium Mambo (deleted scene) |
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| Dragnet Girl / A City Of Sadness |
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| Walk Cheerfully / Millennium Mambo |
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| Late Spring / The Puppetmaster |
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| Kagami Jishi / The Puppetmaster |
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| Floating Weeds / The Green Green Grass Of Home |
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| Brothers and Sisters of the Toda Family / Good Men, Good Women |
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| Tokyo Story / Three Times |
