Boyhood |
It Felt Like Love |
There were just way too many disappointments (Under The Skin, Nymphomaniac: Part 2 & Grand Budapest Hotel) or movies with a ton of hype that turned out to be just “ok” or underwhelming (I know I’m in the minority, but I don’t share everyone’s enthusiasm for Birdman).
But on a more positive/interesting note, quite a few films from 2014 shared connections with one another – Guardians Of The Galaxy & Captain America: The Winter Soldier obviously took place in the same cinematic realm; It Felt Like Love & Nymphomaniac both dealt with the sexual curiosity/discovery of young girls (without sugarcoating anything); Stranger By The Lake & Li’l Quinquin were centered around small town serial killers, and maybe it’s just me but I thought Donald Rumsfeld & Jake Gyllenhaal shared the same sociopathic grin in their respective films...
The Unknown Known |
Nightcrawler |
I just can't remember the last time I struggled so hard to come up with a top 10. With the exception of possibly Boyhood, I don’t see too many movies from this year standing the test of time (is anyone really going to be talking about The Imitation Game or Foxcatcher by this time next year?)
Lets hope 2015 is an improvement.
Lets hope 2015 is an improvement.
Li'l Quinquin |
Only Lovers Left Alive |
Like last year, I've broken up my top 10 into various categories ("exceptional", "frustrating but rewarding", etc.) because I honestly couldn't come up with a clean list of 10 movies that were all equally great.
(*click on the movie titles noted with asterisks to read their individual reviews from earlier in the year*)
So here are my top 10 movies of 2014 in no particular order.
Enjoy...
1-4: THE EXCEPTIONAL
These are, in my humble opinion, the movies that require maybe only a small amount of criticism or no criticism at all.
top: *The Unknown Known / *Boyhood bottom: *It Felt Like Love / *Mr. Turner |
5-8: FRUSTRATING BUT REWARDING
These are the films that may have had a serious flaw or two (...or three or four) or may have been dismissed by general audiences because they seemed "artsy", slow or unappealing for some reason (or, in the case of Jodorowsky's Dune, conveyed certain beliefs I didn't personally agree with, but the overall movie was great).
These are all somewhat challenging, slightly "different", or provided an alternative to a lot of the mainstream movies that came out this year (side note - Li'l Quinquin is probably my personal favorite of 2014)...
top: *Li'l Quinquin / *Stranger By The Lake bottom: Winter Sleep / *Jodorowsky's Dune |
9-10: THESE MOVIES HAD NO BUSINESS BEING THIS GOOD...
Below are the more recognizable titles from 2014 that I didn't expect much from yet they ended up being pretty damn impressive (again - I stand by these).
*UPDATE* 11. DIDN'T THINK THIS WOULD BE RELEASED UNTIL 2015 BUT I GUESS NOT...
*Timbuktu |
*UPDATED* 12-13: BEST MOVIES OF 2014 THAT I SAW IN 2015...
HONORABLE MENTION:
It wouldn't be right to sum up an entire year with just 10 movies (even if it was a pretty underwhelming year). Below are a few more that I thought were solid, entertaining or just deserve to be mentioned
HONORABLE HONORABLE MENTION:
A few more movies from 2014 possibly worth your time
top: *The Trip To Italy / Nymphomaniac: Part One bottom: *Inherent Vice / Captain America 2: The Winter Soldier |
PINNLAND EMPIRE SPECIAL JURY PRIZE:
films I personally loved but can't include in my Top 10 or honorable mention because they honestly don't belong there, and I don't wanna get called out on favoritism as they're either directed by personal favorites of mine that I'm usually bias towards (Jim Jarmusch) or deal with subject matter or have a particular style that's way too close to my heart for me to criticize (Too Many Cooks)...
OVERRATED AND/OR DISAPPOINTING...
I know this is bound to ruffle some feathers but I genuinely feel like people are way too caught up in the hype surrounding Birdman to see that it’s nothing special. It certainly isn’t awful, but definitely not worthy of all the praise (and awards) it’s been getting. I know we all love Michael Keaton and we haven’t seen him in a leading role in quite some time (I also know certain elements of Birdman mirror Keaton’s real career adding an element of reality to everything), but have you really stopped and asked yourself why you love it so much? It’s just a quirkier version of Black Swan told from a male’s perspective. Take away the (sometimes annoying) free-jazz score and the Terrence Malick-esque cinematography (...courtesy of Terrence Malick's actual cinematographer Emmanuel Lubezki), and there’s not much to the movie.
I thought Nymphomaniac Part Two fell apart in the final 20-30 minutes (for a different opinion on Nymphomaniac, check out Leanne’s thoughts) and I have all the faith in the world that most people will agree with me that The Immigrant was incredibly boring with surprisingly "awkward" performances.
As for the others (Under The Skin, Grand Budapest Hotel & River Of Fundament), I’ve already said everything in my individual reviews of each film, so read those if you haven’t.
top: *Under The Skin / *Grand Budapest Hotel middle: The Immigrant / *River Of Fundament bottom: Birdman / Nymphomaniac Part Two |
LIFETIME ACHIEVEMENT AWARD: MATT MALLOY & JAMES LEGROS (NIGHT MOVES)
Seeing Matt Malloy & James Legros show up in Kelly
Reichardt’s Night Moves this year (for one scene a piece) was a pleasant surprise. To a lot of people, Malloy & Legros
are those actors who make guest appearances on all the different Law &
Order shows or show up for one scene in a major movie as a nameless doctor or
scientist. But to me they’re icons of American independent cinema. If you watch the movies I do, then you know these two guys always manage to show up in some capacity (main character, supporting role, extended cameo, etc). Between the two of them, they’ve worked with almost every important American indie director of the last 25 years (Gus Van Sant, Todd Haynes, Todd Solondz, Tom Dicillo, Hal Hartley, Neil
Labutte, etc), so it only makes sense that they show up in a film directed by a current American indie heavyweight like Reichardt. It’s about time someone recognized their
longstanding presence in indie film (and mainstream film), so I’m presenting them with this years’ lifetime
achievement award.
NOTEWORTHY PERFORMANCES:
Great Performances:
Jake Gyllenhall - Nightcrawler*
Patrick d'Assumcao - Stranger By The Lake
Lorelei Linklater - the first quarter of Boyhood*
Timothy Spall - Mr. Turner
Jamie Bell - Nymphomaniac Part Two*
Philip Seymour Hoffman - the last 10 minutes of A Most Wanted Man
Bradley Cooper's Voice - Guardians Of The Galaxy
Ralph Fiennes - Grand Budapest Hotel
Bernard Pruvost - Li'l Quinquin
Good/Solid performances:
Renee Russo -Nightcrawler
Charlotte Gainsbourg - Nymphomaniac Part Two*
Rob Brydon - The Trip To Italy
Edward Norton - Birdman
Josh Brolin - Inherent Vice
Rosamund Pike & Kim Dickens* - Gone Girl
Uma Thurman - Nymphomaniac
Surprisingly good and/or tolerable performances:
Luke Wilson - Skeleton Twins
Tyler Perry* (no, seriously) & Neil Patrick Harris - Gone Girl
*surprisingly bad performance: pretty much the entire cast of the immigrant
If you think my picks are bullshit and are looking for an alternative list, read what some of the past contributors have as their favorites of 2014…
John Cribbs (The Pink Smoke)
Abuse of Weakness
Boyhood
Like Father, Like Son
Nightcrawler
Norte, The End of History
Stranger by the Lake
The Tale of the Princess Kaguya & The Wind Rises
The Unknown Known
We Are the Best!
Why Don't You Play in Hell?
Chris Funderberg (The Pink Smoke)
Like Father, Like Son
Enemy
Mr. Turner
National Gallery
The Unknown Known
Nightcrawler
The Drop
The Tale of Princess Kaguya
We Are the Best!
Abuse of Weakness
The Strange Little Cat
Leanne Kubicz (LMK Film Picks)
American Experience:The Amish:Shunned (PBS documentary)
Snowpiercer
True Detective (HBO)
*2014 World Cup Brasil
Nymphomaniac
*I did in fact watch one World Cup match in a movie theatre. The Screenland Armour in North Kansas City, MO hosted a screening of the USMNT v Portugal(2-2) match. Beer and good times were had by all. I also saw 'Nymphomaniac' at the same theater; that place rules
Ian Loffill (Notes & Scribblings)
Calvary
Goodbye to Language
Hands of Bresson
Jersey Boys
Magic in the Moonlight
Maps to the Stars
Mr. Turner
Stations of the Cross
Two Days, One Night
Welcome to New York
Jason Hedrick (The Ecstatic)
Birdman (or the Unexpected Virtue of Ignorance)Ida
Under the Skin
Nightcrawler
Enemy
Her
Jodorowsky’s Dune
The Rover
Boyhood
Only Lovers Left Alive
Rob Cotto (PINNLAND EMPIRE contributor)
Sir PINNLAND has asked for my Top 5 of 2014 before I've had the opportunity to weigh in on A Most Violent Year, The Gambler and a few others. This is my top five as of December 19, 2014 at 6pm.
1. Boyhood - I'm following suit with everyone else and putting this in the top spot.
Forget that this took twelve years to make. Take a journey through growing up as no other filmmaker has ever done before. It's a quite special film.
2. Birdman - Again, following suit. But, just as well. Mr. Pinnland believes this flick insists upon itself, but, for me, it was a hysterical and realistic satire on showbiz. I believed every moment; even the end.
3. Inherent Vice - *DISCLAIMER* I'm a PTA fan boy. Based on my initial review, I was confuckled. And I'm not allowed to see movies at midnight anymore. That being said, this film demands repeat viewings. But, great films do.
4. Chef - You must think I'm crazy. This was a note perfect feel good movie that Hollywood used to do best. What a statement coming from Mr. Favreau, who has repeatedly made big-budget over-bloated box office smashes, and returns to his roots with something so heartfelt and personal and absolutely well-done. Kudos. There should've been more movies like this last year.
*Say what you want to say about how it ends, you're probably right. Admit you want that grilled-cheese.
5. I really can't think of a five. So, I'll go with this:
Best moments in film this year:
Gone Girl - From the moment that Neil Patrick Harris enters the casino, to the moment he exits the movie, is the best 20 minutes of that film. The second best moment of that film is when you see her plan unfold an hour into the movie. Fincher's best film since Zodiac.
And the performances that left the greatest impression -
Uma Thurman in Nymphomaniac Vol. 1
Patricia Arquette - Boyhood
That's all I have to say here, folks.
I will amend this by the end of the year. Or maybe not since it was such a dismal year in cinema.
Happy Holidays to the Pinnland Empire!
Two Hercules movies made it to screens, one of those astonishingly without The Rock, three monsters franchises attempted reboots (Godzilla, Dracula Untold, I, Frankenstein), two sci-fi hero franchises attempted reboots (RoboCop, Teenage Mutant Ninja Turtles), another largely forgotten cartoon was pulled from the mothballs to theaters (Mr. Peabody & Sherman), live-action television series brought to the big screens (The Equalizer), and two new takes on fairy tales (Maleficent, Beauty and the Beast). Pokémon the Movie: Diancie and the Cocoon of Destruction made it to theaters and I never even heard about it. Pokémon is still around?
Nicolas Cage rebooted a Kirk Cameron movie (Left Behind), someone funded yet another Kirk Cameron movie (Saving Christmas), and Mark Wahlberg rebooted a Kenny Rogers movie (The Gambler). Mostly this is my excuse to avoid the fact that I went to a movie theater four times this year, and Marcus was still nice enough to ask for my opinions.
Matt Reddick (PINNLAND EMPIRE contributor)
Inherent Vice
The Blue Room
Let The Fire Burn
The Rover
Blue Ruin
Only Lovers Left Alive
Stranger by the Lake
Honorable Mention:
Starred Up
Gone Girl
A Most Wanted Man
Sir PINNLAND has asked for my Top 5 of 2014 before I've had the opportunity to weigh in on A Most Violent Year, The Gambler and a few others. This is my top five as of December 19, 2014 at 6pm.
1. Boyhood - I'm following suit with everyone else and putting this in the top spot.
Forget that this took twelve years to make. Take a journey through growing up as no other filmmaker has ever done before. It's a quite special film.
2. Birdman - Again, following suit. But, just as well. Mr. Pinnland believes this flick insists upon itself, but, for me, it was a hysterical and realistic satire on showbiz. I believed every moment; even the end.
3. Inherent Vice - *DISCLAIMER* I'm a PTA fan boy. Based on my initial review, I was confuckled. And I'm not allowed to see movies at midnight anymore. That being said, this film demands repeat viewings. But, great films do.
4. Chef - You must think I'm crazy. This was a note perfect feel good movie that Hollywood used to do best. What a statement coming from Mr. Favreau, who has repeatedly made big-budget over-bloated box office smashes, and returns to his roots with something so heartfelt and personal and absolutely well-done. Kudos. There should've been more movies like this last year.
*Say what you want to say about how it ends, you're probably right. Admit you want that grilled-cheese.
5. I really can't think of a five. So, I'll go with this:
Best moments in film this year:
Gone Girl - From the moment that Neil Patrick Harris enters the casino, to the moment he exits the movie, is the best 20 minutes of that film. The second best moment of that film is when you see her plan unfold an hour into the movie. Fincher's best film since Zodiac.
And the performances that left the greatest impression -
Uma Thurman in Nymphomaniac Vol. 1
Patricia Arquette - Boyhood
That's all I have to say here, folks.
I will amend this by the end of the year. Or maybe not since it was such a dismal year in cinema.
Happy Holidays to the Pinnland Empire!
Doug Frye (Schlock Treatmanet)
Looking back to even figure out what I saw in 2014, this was a banner year for more of the same, at least in the mainstream releases. There were sequels that looked warranted (Captain America: Winter Soldiers, Dawn of the Return of the Curse of the Creature's Ghost of the Planet of the Apes, X-Men: Days of Future Past, The Raid 2, 22 Jump Street, The Hunger Games: Mockingjay – Part 1), sequels that I couldn’t imagine audiences wanted but they took to anyway (Transformers: Age of Extinction, 300: Rise of an Empire, The Purge: Anarchy, A Haunted House 2, Think Like a Man Too), sequels that audiences apparently didn’t want (The Amazing Spider-Man 2, The Expendables 3, Muppets Most Wanted, Sin City: A Dame to Kill For, Dolphin Tale 2, Dumb and Dumber To [jury may still be out, but it looks shitty enough to warrant inclusion]), sequels to animated films (How to Train Your Dragon 2, Rio 2, Planes: Fire & Rescue), sequels to movie franchises still churning them out somehow (Paranormal Activity: The Marked Ones, Step Up 5: All In), and that’s not getting to the ones still to come (The Hobbit: The Battle of the Five Armies, Night at the Museum: Secret of the Tomb, Penguins of Madagascar).
Looking back to even figure out what I saw in 2014, this was a banner year for more of the same, at least in the mainstream releases. There were sequels that looked warranted (Captain America: Winter Soldiers, Dawn of the Return of the Curse of the Creature's Ghost of the Planet of the Apes, X-Men: Days of Future Past, The Raid 2, 22 Jump Street, The Hunger Games: Mockingjay – Part 1), sequels that I couldn’t imagine audiences wanted but they took to anyway (Transformers: Age of Extinction, 300: Rise of an Empire, The Purge: Anarchy, A Haunted House 2, Think Like a Man Too), sequels that audiences apparently didn’t want (The Amazing Spider-Man 2, The Expendables 3, Muppets Most Wanted, Sin City: A Dame to Kill For, Dolphin Tale 2, Dumb and Dumber To [jury may still be out, but it looks shitty enough to warrant inclusion]), sequels to animated films (How to Train Your Dragon 2, Rio 2, Planes: Fire & Rescue), sequels to movie franchises still churning them out somehow (Paranormal Activity: The Marked Ones, Step Up 5: All In), and that’s not getting to the ones still to come (The Hobbit: The Battle of the Five Armies, Night at the Museum: Secret of the Tomb, Penguins of Madagascar).
Two Hercules movies made it to screens, one of those astonishingly without The Rock, three monsters franchises attempted reboots (Godzilla, Dracula Untold, I, Frankenstein), two sci-fi hero franchises attempted reboots (RoboCop, Teenage Mutant Ninja Turtles), another largely forgotten cartoon was pulled from the mothballs to theaters (Mr. Peabody & Sherman), live-action television series brought to the big screens (The Equalizer), and two new takes on fairy tales (Maleficent, Beauty and the Beast). Pokémon the Movie: Diancie and the Cocoon of Destruction made it to theaters and I never even heard about it. Pokémon is still around?
Nicolas Cage rebooted a Kirk Cameron movie (Left Behind), someone funded yet another Kirk Cameron movie (Saving Christmas), and Mark Wahlberg rebooted a Kenny Rogers movie (The Gambler). Mostly this is my excuse to avoid the fact that I went to a movie theater four times this year, and Marcus was still nice enough to ask for my opinions.
So, here are my top five 2014 movies that I actually watched.
Philomena - This movie was just beautiful, being heartbreaking and hopeful at the same time. Steve Coogan is great, as usual, but Judi Dench took her role to a new height. The writing was fantastic, as well as the direction. Easily the best film I saw in 2014.
Grand Budapest Hotel - I hope this movie marks a real change of direction for Wes Anderson, because it was incredibly fun. It’s basically a boy’s adventure story, with all of the hallmarks: underdog hero, nasty villains, damsels in distress, exotic locations, and thinly veiled Nazis. Who doesn’t love to hate Nazis? I’d love to see Anderson tackle something in this vein again.
The Trip to Italy - While not exactly as good as the first one (another sequel!), this did make an important change to keep the idea fresh. Instead of being Coogan’s story again, it’s Rob Brydon as the star, and it’s his through line that drives the narrative. The scenery is gorgeous again, of course, and there’s still plenty of food porn. Maybe this meant to cap the Winterbottom/Coogan/Brydon Trilogy: Tristram Shandy, The Trip, and The Trip to Italy, but I hope they do more together anyway.
Guardians of the Galaxy - To give you a clearer picture of my absolute laziness about leaving the house this year, I saw this one on its closing weekend, about two months after the release. I’m glad I did, though, because a massive spaceship battle set to “Escape (the Pina Colada Song” just wouldn’t be the same on a television screen. This was the best screen representation of a comic book ever, I think. There were dramatic stakes for the characters, but it never got bogged down in its “grittiness,” and the pace was perfectly quick. Hopefully, James Gunn will start a trend toward brighter fare like this. They’re comic book movies, after all. Lighten them up.
Cuban Fury - So, I admitted that I only saw four movies in a theater, but Netflix pulled my fat out of the fire with this one. It stars Nick Frost as a semi-professional salsa dancer. What more could you need to know? See it. You like Nick Frost.
Philomena - This movie was just beautiful, being heartbreaking and hopeful at the same time. Steve Coogan is great, as usual, but Judi Dench took her role to a new height. The writing was fantastic, as well as the direction. Easily the best film I saw in 2014.
Grand Budapest Hotel - I hope this movie marks a real change of direction for Wes Anderson, because it was incredibly fun. It’s basically a boy’s adventure story, with all of the hallmarks: underdog hero, nasty villains, damsels in distress, exotic locations, and thinly veiled Nazis. Who doesn’t love to hate Nazis? I’d love to see Anderson tackle something in this vein again.
The Trip to Italy - While not exactly as good as the first one (another sequel!), this did make an important change to keep the idea fresh. Instead of being Coogan’s story again, it’s Rob Brydon as the star, and it’s his through line that drives the narrative. The scenery is gorgeous again, of course, and there’s still plenty of food porn. Maybe this meant to cap the Winterbottom/Coogan/Brydon Trilogy: Tristram Shandy, The Trip, and The Trip to Italy, but I hope they do more together anyway.
Guardians of the Galaxy - To give you a clearer picture of my absolute laziness about leaving the house this year, I saw this one on its closing weekend, about two months after the release. I’m glad I did, though, because a massive spaceship battle set to “Escape (the Pina Colada Song” just wouldn’t be the same on a television screen. This was the best screen representation of a comic book ever, I think. There were dramatic stakes for the characters, but it never got bogged down in its “grittiness,” and the pace was perfectly quick. Hopefully, James Gunn will start a trend toward brighter fare like this. They’re comic book movies, after all. Lighten them up.
Cuban Fury - So, I admitted that I only saw four movies in a theater, but Netflix pulled my fat out of the fire with this one. It stars Nick Frost as a semi-professional salsa dancer. What more could you need to know? See it. You like Nick Frost.
Matt Reddick (PINNLAND EMPIRE contributor)
Inherent Vice
The Blue Room
Let The Fire Burn
The Rover
Blue Ruin
Only Lovers Left Alive
Stranger by the Lake
Honorable Mention:
Starred Up
Gone Girl
A Most Wanted Man
Honorable Honorable Mention:
Babadook
Gloria
Birdman
Babadook
Gloria
Birdman
New discoveries/deeper appreciation (mostly from Lincoln Center series):
Rohmer
Erice
Fassbinder
Petri
Zanussi (the Polish series was great btw)
Anatahan - blew me away (Anthology Archives)
Moving into the "meh" category:
Hitchcock & Truffaut
Nathaniel Drake Carlson (PINNLAND EMPIRE contributor)
Devil's Knot
I Am Happiness on Earth
The Immigrant
Camille Claudel 1915
Stranger By the Lake
Under the Skin
Night Moves
Bastards
Snowpiercer
Palo Alto
Honorable Mention:
The Rover
Blue Ruin
The Signal
Interior. Leather Bar/Child of God
Venus in Fur
Joe
Jersey Boys
Cold in July
The Raid 2
Enemy
Locke
Manakamana
Underrated:
RoboCop
Noah
Transformers: Age of Extinction
Overrated:
Ida
Overrated:
Ida
True Detective
Breathrough Star of the Year:
Brenton Thwaites (The Signal, The Giver, Oculus, Maleficent)
Notable 2013 Films I Did Not See Till 2014:
Rush
Wolf of Wall Street
All is Lost
Inside Llewyn Davis
12 Years a Slave
Films Not Yet Seen:
Winter Sleep
La Sapienza
National Gallery
Horse Money
Interstellar
Boyhood
Gone Girl
Birdman
Foxcatcher
Inherent Vice
Exodus
America Sniper
Films I Don't Want to See:
Grand Budapest Hotel
Films I Don't Want to See:
Grand Budapest Hotel
Nymphomaniac
2014 Discoveries:
The Garden of Earthly Delights
2014 Discoveries:
The Garden of Earthly Delights
Corpo Celeste
General Orders No. 9
Re-release of the Year:
La Reine Margot
Highlights, Lowlights & other random movie moments from 2014
and now what you've all been waiting for...
The Samuel L. Jackson in Deep Blue Sea award: Juliette Binoche getting killed off in Godzilla after 5 minutes.
Re-release of the Year:
La Reine Margot
Highlights, Lowlights & other random movie moments from 2014
and now what you've all been waiting for...
Martin Donovan's Cameo in Inherent Vice
The buddy cop sequel Paul Thomas Anderson probably doesn't even know he's sitting on (the on-screen chemistry between Joaquin Phoenix & Josh Brolin in Inherent Vice)
speaking of buddy cop movies...
Wasn't 22 Jump Street enough for one year?: Let's Be Cops
The way Michael Winterbottom shoots Italy in The Trip To Italy
Meeting Willem Dafoe at the movies...
Wasn't 22 Jump Street enough for one year?: Let's Be Cops
The way Michael Winterbottom shoots Italy in The Trip To Italy
Too Many Cooks
Meeting Willem Dafoe at the movies...
Caucasian actors (specifically European & Australian) portraying biblical figures.
With that being said...
Non-religious people/people who don't believe in the bible or God getting worked up over Caucasian actors portraying biblical figures (seriously, why do you care?)
Don Cheadle/War Machine Award: Anthony Mackie as Falcon (Captain America 2: The Winter Soldier)
JMW Turner's grunting (Mr. Turner)
Jake Gyllenhaal quickly practicing various smiles before showing his face to the security guard at the beginning of Nightcrawler
"Now how's that supposed to make me feel?" - Ralph Fiennes (Grand Budapest Hotel)
"Yooouu fuucking biiitcchh" whispers Ben Affleck in to Rosamund Pike's ear (Gone Girl)
Coulda used more Connie Nielsen (Nymphomaniac)
Enough with the "origin" movies! (this is all your fault, Christopher Nolan)
Bruno Dumont's continued quest to cast traditionally unattractive people in his movies (Li'l Quinquin)
Scarlett Johansson checks her vagina mid-coitus (Under The Skin)
Wait, that was Tracy Morgan?: Boxtrolls
This generation's Hayden Christensen (no, that's not a good thing): Aaron Taylor-Johnson
Trent Reznor & Atticus Ross' score for Gone Girl
Lila's late night bus ride home after hanging w/ Sammy and his friends (It Felt Like Love)
Lila sets Sammy's alarm clock (It Felt Like Love)
Just didn't feel like it: Dear White People & Selma
Steve Coogan & Ron Brydon's commentary on The Dark Knight Rises: The Trip To Italy
Weak ending: Nymphomaniac 2
Good ending: Only Lovers Left Alive
Great ending: Stranger By The Lake
Aurelio: "He stole John Wick's car and he uh, killed his dog, sir."
Viggo: "...oh."
(John Wick)
Errol Morris: "WHY are you talking to ME?!"
Donald Rumsfeld: "...I don't know."
(The Unknown Known)
Donald Rumsfeld: "...I don't know."
(The Unknown Known)
"Now how's that supposed to make me feel?" - Ralph Fiennes (Grand Budapest Hotel)
"Yooouu fuucking biiitcchh" whispers Ben Affleck in to Rosamund Pike's ear (Gone Girl)
"Yo lemme get a cigarette!" - Jungle (Time Is Illmatic)
"I was raping him! You know? But like this...with love!" - Alejandro Jodorowsky (Jodorowsky's Dune)
Made no sense (as in the plot was incredibly stupid) but was very entertaining: Raid 2
"I was raping him! You know? But like this...with love!" - Alejandro Jodorowsky (Jodorowsky's Dune)
Made no sense (as in the plot was incredibly stupid) but was very entertaining: Raid 2
The fake Michael Haneke twitter account
Still haven't made up my mind about you: Rooney Mara
Script reading of Do The Right Thing at The Lincoln Center
Still haven't made up my mind about you: Rooney Mara
Script reading of Do The Right Thing at The Lincoln Center
Laughing out loud at the trailer for Noah
Getting dissed by Spike Lee for wearing a Red Sox hat
Meeting Spike Lee again a few days later (without my red sox hat on)...
Meeting Spike Lee again a few days later (without my red sox hat on)...
My return to the Toronto Film Fest
Might not ever watch it again because I'm afraid I won't like it the second time around: Only Lovers Left Alive
Coulda used more Jeffery Wright: Only Lovers Left Alive
Might not ever watch it again because I'm afraid I won't like it the second time around: Only Lovers Left Alive
Can't decide if this scene was awful or brilliant: Uma Thurman's scene in Nymphomaniac
Coulda used more Connie Nielsen (Nymphomaniac)
You seriously couldn't a find an English actor or at least someone who could maintain an English accent for more than 45 seconds?? (Shia Lebouf in Nymphomaniac)
Enough with the "origin" movies! (this is all your fault, Christopher Nolan)
Bruno Dumont's continued quest to cast traditionally unattractive people in his movies (Li'l Quinquin)
Scarlett Johansson checks her vagina mid-coitus (Under The Skin)
Wait, that was Tracy Morgan?: Boxtrolls
This generation's Rae Dawn Chong: Zoe Saldana (I don't even fully know what that means but it makes sense)
Did anyone born after 1983 even get that that was Howard The Duck? (Guardians Of The Galaxy)
Little hints in to Rocket's (dark) backstory (Guardians Of The Galaxy)
Little hints in to Rocket's (dark) backstory (Guardians Of The Galaxy)
Trent Reznor & Atticus Ross' score for Gone Girl
The presence of Nas' brother ("Jungle") in Time Is Illmatic
Lila sets Sammy's alarm clock (It Felt Like Love)
Excellent music choice: the use of Joey Bada$$' Waves in It Felt Like Love
Franck witnesses a murder (Stranger By The Lake)
Franck witnesses a murder (Stranger By The Lake)
Did anyone actually go see this?: Get On Up
Meeting Mike Leigh...
Matt Malloy & James Legros' cameos in Night Moves
Alia Shawkat unexpectedly showing up in the last half of Night Moves
Meeting Mike Leigh...
Just didn't feel like it: Dear White People & Selma
Steve Coogan & Ron Brydon making fun of American accents: The Trip To Italy
Where'd Ryan Gosling go?
Where'd Ryan Gosling go?
Kevin Nash's cameo in John Wick
Nicholas Winding Refn's obvious influence on mainstream cinema in 2014...
Mad that I missed: X-Men: Days Of Future Past, We Are The Best! & National Gallery
Completely fine with missing: Noah, Locke, The Double, The Amazing Amazing Spider-Man 2, Exodus, Tusk, and so many more
Indifferent about missing: Joe, Foxcatcher, Whiplash, Interstallar, A Girl Walks Home Alone At Night, Most Violent Year & Dumb & Dumber To
Completely fine with missing: Noah, Locke, The Double, The Amazing Amazing Spider-Man 2, Exodus, Tusk, and so many more
Indifferent about missing: Joe, Foxcatcher, Whiplash, Interstallar, A Girl Walks Home Alone At Night, Most Violent Year & Dumb & Dumber To
Donald Rumsfeld's grin (The Unknown Known)
Weak ending: Nymphomaniac 2
Good ending: Only Lovers Left Alive
Great ending: Stranger By The Lake
Perfect casting: Luke Wilson as Kristen Wiig's husband in Skeleton Twins
Can we please see/hear more of you in 2015 (some of these are repeats from last year):
The Nightcrawler Jake Gyllenhall, Rosamund Pike, Alex Descas, Lea Seydoux, Neil Patrick Harris, Amy Sedaris, Batista, Deborah Kara Unger, Bobby Canivale, Jeanne-Claude Van Damme, James Remar, Will Forte, Michelle Willams, Tim Heidecker, Tilda Swinton in performances as an actual human being, Sally Hawkins, Katherine Keener (but like, only in good movies tho), Amy Ryan, Broken Lizard, Bradley Cooper's voice, Errol Morris' voice, Isabelle Hupert, Tony Leung & made-era Vince Vaughn
The Nightcrawler Jake Gyllenhall, Rosamund Pike, Alex Descas, Lea Seydoux, Neil Patrick Harris, Amy Sedaris, Batista, Deborah Kara Unger, Bobby Canivale, Jeanne-Claude Van Damme, James Remar, Will Forte, Michelle Willams, Tim Heidecker, Tilda Swinton in performances as an actual human being, Sally Hawkins, Katherine Keener (but like, only in good movies tho), Amy Ryan, Broken Lizard, Bradley Cooper's voice, Errol Morris' voice, Isabelle Hupert, Tony Leung & made-era Vince Vaughn
Can we please see just as much of you in 2015 as we did in 2014: Willem Dafoe, Benecio Del Torro, John Faverau & Luke Wilson
Can we please see less of you in 2015: Nicholas Cage, Owen Wilson, Kevin Hart, Denzel Washington (I swear to god I wrote this before that sony email nonsense), Will Ferrell, Melissa McCarthy, Jennifer Lawrence, Tom Hardy, Aaron Taylor-Johnson, Liam Neison, Kevin Hart, Jason Bateman, Keira Knightly, Adam Driver, Channing Tatum, Matthew Macoughnuhey, James Franco, Seth Rogen, Jonah Hill, Steve Carrel, Kevin Hart & Scarlett Johansson
Can we please see less of you in 2015: Nicholas Cage, Owen Wilson, Kevin Hart, Denzel Washington (I swear to god I wrote this before that sony email nonsense), Will Ferrell, Melissa McCarthy, Jennifer Lawrence, Tom Hardy, Aaron Taylor-Johnson, Liam Neison, Kevin Hart, Jason Bateman, Keira Knightly, Adam Driver, Channing Tatum, Matthew Macoughnuhey, James Franco, Seth Rogen, Jonah Hill, Steve Carrel, Kevin Hart & Scarlett Johansson
REASONS TO (POSSIBLY) LOOK FORWARD TO 2015...