Showing posts with label kidneys on film. Show all posts
Showing posts with label kidneys on film. Show all posts

Monday, June 8, 2026

KIDNEYS ON FILM: ONE SPOON OF CHOCOLATE



I guess we can add Rza to the list of filmmakers that thinks the only prerequisite for making a grindhouse homage is giving your movie a grainy filter aesthetic. I’m a little tired of modern directors thinking their 8 figure budget films with “un-woke” dialogue and tons of blood splatter equates “grindhouse” or an exploitation film. But missing the mark on the grindhouse genre is the least of this movie’s problems. The racial issues and social commentaries found in the Rza’s latest film really need to be addressed. My god…

Much like how I compared The Testament Of Ann Lee to Barbie in my last post, One Spoon Of Chocolate and Rebel Ridge have similar connections. Both are Rambo/Walking Tall/Reacher-coded stories about lone Black veterans trying to take down a small racist police department after the deaths of their cousins (while the immediate villains in One Spoon Of Chocolate aren’t cops, we come to learn later that they work for the police department). Seriously - it’s like the same premise made under vastly different ideologies.
Both movies missed their mark in some aspects but I can say that I mostly enjoyed Rebel Ridge whereas One Spoon Of Chocolate is kind of reprehensible. Somewhere between Rebel Ridge & One Spoon Of Chocolate lies a potentially good movie. One plays out like a centrist’s wet dream where almost no one dies (Rebel Ridge) and the other plays out like a pandering white guy making cartoonish revenge porn on behalf of the type of Black folks that are easy to impress (One Spoon Of Chocolate). You know…the type of Black folks that cheered for Django Unchained. This makes sense because Quentin Tarantino was a producer on this. Don't get me wrong. I love the idea of slave owners and slave catchers getting murdered in the most brutal way. But at the end of the day, Tarantino used slavery to fetishize Blackness and slavery and I'm just not cool with that. But that's just me...

And as a sidenote - I always get frustrated when folks talk about how much they liked Rebel Ridge because no one died when in fact someone did die. Sure it was off camera but there was still a casualty in the movie. Somehow all the evil racist cops got to live while the main character’s cousin (a Black guy) still managed to die in the story.

Anyway...

Because this is another Rza/Tarantino collaboration, you can expect lots of references and homages to older films. This might be the only thing I liked about this movie. Outside of obvious sources like Rambo and Walking Tall, Rza reaches back to everything from John Carpenter to cult horror.

It [CHRISTINE] pops up in [One Spoon of Chocolate] as the black truck.. The idea is that when that truck shows up, it's gonna be trouble - Rza, Conseuence

Christine / One Drop Of Chocolate


When I finished this script, I remember thinking about the scene of the doctor, and I said, ‘I'm going to try to find that movie, because it scared me, and I want to put fear in the audience’ - Rza, Consequence

Zombie Hol0caust / One Drop Of Chocolate


And because this is a Rza film, you can expect plenty of classic Kung-fu movie homages…

5 Fingers Of Death / One Drop Of Chocolate


In One Spoon Of Chocolate we follow “Unique” - a veteran/ex-con who goes to stay with his remaining family in Ohio only to find out he’s living in a sundown town ran by a corrupt police department and a vigilante gangs of racist white nationalists that kill Black people to sell their organs on the Black market. As a two-time kidney transplant recipient and a life-long fan of the Wu-Tang Clan, you’d think this movie was tailormade for me. But it wasn’t. As I said earlier, this movie is like a white guy trying to make a violent blaxploitation film to prove he’s down with Black people. But writer/director is Black. It doesn’t take much to impress certain lanes of Black viewers. All you have to do is murder the racist bad guy and somehow that makes things better (Rza didn’t even have the balls to show the audience if the main racist villain dies in the end or not!).
Besides his well-known love of Kung-fu movies and martial arts in general, the Rza’s personal life and other various Wu-Tang lore is all over One Spoon Of Chocolate. Naming the main character Unique is a nod to his cousin Ol Dirty Bastard’s 5% name; Ason Unique. In Rza’s pre-Wu Tang Clan days he fled to Ohio to stay with family after getting in to trouble. Some of the cast members in One Spoon Of Chocolate appeared in the Wu-Tang Hulu show as well. In my opinion this makes things all the more embarrassing because I would not want anything personal or close to my heart connected to this mess of a movie.
Things are just violent for the sake of being violent and the usage of the N-word would make producer Quentin Tarantino proud. I guess in a sense the Rza did achieve some level of exploitation. He just used Black pain and trauma to do it. It doesn’t make sense because this movie doesn’t really align with the 30+ years of socially conscious Rza lyrics I’ve listened to over the years.

What’s also disappointing is that even Rza fell in to the Get Out trope that a majority of modern Black films do these days. In the opening scene a young naive Black male walking on the side of the road is lured by a car full of flirty attractive white woman only to be set up and murdered by the film’s antagonists. It’s almost exactly like the opening scene of Get Out with Lakeith Stanfield mixed with the very real story of Kendrick Johnson.

similar opening scenes...
Get Out / One Drop Of Chocolate

moments later they’re subdued and abducted…
Get Out / One Drop Of Chocolate

Can modern Black cinema exist without some form of “watch out for the white boogeyman” trope???


Outside of real cases like the death of Kendrick Johnson who, like the victims in One Drop Of Chocolate. was murdered and had his organs stolen, Rza uses the imagery of racist white supremacist rallies as an influence which is so cheap to me...
One Spoon Of Chocolate (below)


Speaking of the film’s antagonists, Rza can’t make up his mind if the bad guys are torch-waving proud boys or wiggers. They’re racist but dress like they actually listen to Rza’s music. Now…I’m fully aware that there are plenty of white hip-hop fans that love the music and adopt the aesthetic of hip-hop fashion all while hating Black people. Just look at underground rap music forums or some of Eminem’s fans. The confused villains could have been some type of commentary on all of this. But this movie is so dumb that I can’t give Rza credit for that type of insightful commentary. I don’t even feel like getting in to the nitpicky stuff like the stupid decisions made by the characters in the movie or casting someone like Shamiek Moore as someone that’s supposed to be an intimidating tough guy. All of that is overshadowed by the cheap exploitative racist bullshit that this movie pulls off. Not only is Rza a coward for not showing the death of the main villain, but all the deaths of the Black men in the film are extra violent and realistic while the white bad guys get murdered quick and fast.


This is all so unfortunate because while Rza has made some dumb statements in the past, he is an intelligent artist with unique perspectives. The problem is none of that is on display here. 

Saturday, June 4, 2022

KIDNEYS ON FILM: PART SIX - CRIMES OF THE FUTURE *UPDATED*



Not to make this about myself (typical only child move), but Crimes Of The Future hits a bit closer to home when you’ve had an organ transplant or suffer from any kind of chronic pain. For those of you that are new here - I had a kidney transplant 15 years ago and it comes up in my writing from time to time. On top of that - my father died from kidney disease (he had a heart attack brought on from complications/side effects of dialysis). So I know a thing or two about organ disease & transplantation. David Cronenberg’s fascination with organs is on full display here. There are a ton of visual self-references in his latest film (which you can see below), but he also reaches back to the early years of his career for thematic similarities…




Within the first 15 minutes of Cronenberg’s latest masterpiece (probably the best thing he’s done since Spider) we hear talk of organ transplants, organ registry and the possibility of new organ growth. I’ve said this before and I’ll say it again - I don’t normally like when film critics & movie writers personalize their reviews but when you’re a movie-loving kidney transplant recipient, it’s kind of impossible to not personalize things a bit.
This isn’t even really a “review”. These are just my immediate thoughts. I might come back to this later and write more. But in the meantime I wanted to jot down a few words.

For anyone reading this that wants to know what Crimes Of The Future is about, it’s a mix of everything ranging from pushing the limits of what performance art can be to sustaining the human race with a possible new form of digestion. There’s more to the film but those are the two major plot points that really stood out to me. Just about every Cronenberg movie is layered and about multiple radical topics (David Cronenberg is incredibly intelligent & well-read and much more than the exploding head/body horror guy). Crimes Of The Future is no different. 
Right now I’m just stuck on the focus of organs and the sensory overload of it all. From Viggo Mortensen’s constant grunting in pain to the way Scott Speedman chews & eats. Everything is so heightened… 

Naturally, this film draws some serious visual & thematic comparisons to Sick: The Life and Death Of Bob Flanagan. Cronenberg also drew a lot of inspiration from performance artists Orlan…

I do know ORLAN do you know her? She's a French performance artist who's got horn implants and done a whole lot of things, surgery, public performance of surgery on her own body - David Cronenberg, GQ Magazine
Carnal Art / Crimes Of The Future

Carnal Art / Crimes Of The Future

Sick / Crimes Of The Future


In addition to the dialogue & imagery concerning organs & organ transplantation, the characters in Crimes Of The Future are constantly poked, sliced, jabbed & prodded by all kinds of surgical tools. It will more than likely go unnoticed but Viggo Mortensen gives one of the best physical performances in years simply from his constant grunting & moaning from chronic pain due to all the experimental medical/artistic procedures he goes through. The last few years of my dad’s life were filled with groans & grunts due to constant pain on top of the daily dialysis he had to do. Seeing someone with tubes hooked up to their stomach (something we see quite a bit of in Crimes Of The Future) reminds me of not only my dad’s dialysis, but the semi-regular biopsies I have to endure to make sure my Uncle’s transplanted kidney is still working (at 15 years I’m still considered stable by the way).


Another fascinating element about Crimes Of The Future is that Cronenberg seems to draw from the imagery from almost all of his previous films. This comes a year after Julia Ducournau’s Titane which felt like one big Cronenberg mixtape. 
In 2022, Cronenberg makes his own mixtape of his own greatest hits…

eXistenZ / Crimes Of The Future 

eXistenZ / Crimes Of The Future 

eXistenZ / Crimes Of The Future 

Naked Lunch / Crimes Of The Future 

Shivers / Crimes Of The Future 

Videodrome / Crimes Of The Future 

Videodrome / Crimes Of The Future 

Crash /
Crimes Of The Future 

Videodrome /
Crimes Of The Future

Crash /
Crimes Of The Future

Dead Ringers /
Crimes Of The Future

The Fly /
Crimes Of The Future

Crash /
Crimes Of The Future

Crash /
Crimes Of The Future

Scanners /
Crimes Of The Future

Crimes O The Future (1970) /
Crimes Of The Future

The Fly /
Crimes Of The Future

Dead Ringers / Crimes Of The Future


The Cronenberg self-references are so deep that there are visual similarities/reveals that can be traced to his underseen television work...

Friday The 13: The Series / 
Crimes Of The Future


Other similarities don’t need to be shown visually. The medical tools shown on display in the art museum in Dead Ringers carries over in to Crimes Of Future where we see medical procedures presented as art performances. We also see a very similar “twist” right out of Eastern Promises. The autopsy of the child in Crimes Of The Future is also right out of a moment in The Brood...

Videodrome /
Crimes Of The Future 

The Brood / 
Crimes Of The Future



There are only so many clips and trailers available online but Cronenberg also subconsciously pulls from filmmakers like Carl Theodore Dreyer

The Passion Of Joan Of Arc/ Crimes Of The Future

to Luis Buñuel…

L'Age d'Or / Crimes Of The Future

L'Age d'Or / Crimes Of The Future


And I could be reaching here but Viggo Mortensen’s “Saul Tenser” resembles Cronenberg himself at times…




There’s even some Alien franchise imagery in the film which comes right back to Cronenberg himself…

Prometheus / Crimes Of The Future

Ron Shusett, who’d had a lot of success with Alien, which, I have to say, took a lot of stuff from Shivers. There’s a parasite that lives inside you? Burns its way out? Jumps on your face and goes down your throat? I did all that before Alien and Dan O’Bannon (who wrote Alien) certainly knew my work - David Croenberg, "David Cronenberg: Interviews with Serge Grunberg"

Thursday, March 23, 2017

KEVIN GEEKS OUT ABOUT MONKEYS: UNCLE BOONMEE...


Uncle Boonmee Who Can Recall His Past Lives is a Thai film set in the jungle which makes it a monkey movie by default (Monkeys & Thai jungles kind of go hand-in-hand). There are monkey's all over this film...




Monkeys even serve as the default soundtrack to this movie. Uncle Boonmee doesn’t have a traditional score or a soundtrack using standard instrumentation. The ambient jungle noises (which feature lots of monkey sounds) serve as the default background music.

Uncle Boonmee also has a coincidental connection to quite a few other monkey-based movies and monkey-based urban legends.

Take the most iconic/memorable shot from the movie. Right away, what are we reminded of when we look at this side/profile shot of a humanoid/monkey looking directly in to the camera?

Bigfoot…

Uncle Boonmee/Big Foot

Now…things don’t have to be identical in order to be a reference. I know Bigfoot doesn’t have red eyes and he was walking through a forest rather than a jungle, but unless you’re a very nitpicky person I think you can see the similarities.


But it doesn’t stop there. Take some more notable images from Uncle Boonmee like this one…

Uncle Boonmee/Princess Mononoke

To me, this is an obvious subconscious nod to Princess Mononoke. I mean – from the way the monkeys are gathered around each other to the obvious red eyes, there’s no way in my mind that director Apichatpong Weerasethakul wasn’t aware of this cartoon. The similarities are too strong.

Uncle Boonmee also has some strong connections to another monkey-heavy film in the form of Jumanji. Here we see characters from both films transitioning to monkeys...

Uncle Boonmee/Jumanji

And this isn’t the first time Apichatpong referenced Jumanji (in reality I’m pretty sure he didn’t really reference Juamnji but in my mind I like to think he did). In his 2005 film Tropical Malady (another Thai film set mostly in a jungle) we witness one of the main characters transition in to an animal...

Tropical Malady/Jumani

And still – it doesn’t stop there. Uncle Boonmee has some visual similarities to Harry & The Hendersons

Uncle Boonmee/Harry & The Hendersons

As well as the art of Max Ernst…

Uncle Boonmee/Max Ernst 

So even though Uncle Boonmee is the epitome of what a modern art house film is (slow, minimal dialogue, weird, surreal, strange, mildly pretentious, etc), it still branches off and connects to more popular/accessible movies.

It is my personal opinion that Uncle Boonmee is one of the five best movies of the decade so far, but that doesn’t mean I blindly recommend it to any & everyone. Those key words I just used do very much describe this movie (slow, minimal dialogue, surreal, strange, mildly pretentious, etc). But if you have an open mind I do recommend checking it out (after having a cup of coffee and a strong attention span). And perhaps if you think of the subconscious influences & references to more popular films like Juamnji, Max Ernst & Harry & Hendersons, perhaps it will help you enjoy Uncle Boonmee a little more.

King Kong


Now…I picked this movie because I have a strong personal connection to it. I admit that when Kevin first asked me to be on this show I just blindly accepted without having a movie in mind. I just love these shows so much I wanted to be a part of it. But after a day of thinking it over, I realized this was the movie to cover. I don’t really have much of an opinion or attachment to stuff like King Kong or Planet Of The Apes outside of the subconscious racial undertones that both movies have.
If I could just divert for a second and be the black guy to talk about racial stuff for a minute, it doesn’t take too much deep thought to perceive that both movies could be seen as alternative theories about white people’s fear of Black people. The N-word isn’t the only racial slur that people have used to describe Black people over time. Monkey has certainly been used as coded language to describe black people. And when you take a movie like Planet Of The Apes which deals with a group of monkeys taking over the world, or the way black people are depicted in King Kong – it really isn’t too far-fetched to see the possible racist undertones. But that’s a whole other conversation that we don’t need to get in to right now. Sorry if I ruined King Kong or Planet Of The Apes for everyone in the audience right now. I’m certainly not implying that if you like these movies you’re a racist or anything like that. I could totally be clutching at straws with my theories on these films.

Back to the movie at hand…


Uncle Boonmee is about more than just monkeys. A big subplot of this movie deals with the main character dying from Kidney disease which is something both my father & I struggled with (we both had kidney transplants). I mention my father because 5 days before I was supposed to present at the January show about rip-off cinema he passed away from an unexpected heart attack (sorry for bringing the mood down). After I called my family & close friends, Kevin was the next person I called. Obviously out of courtesy I had to call him to let him know that I wouldn’t be able to do the show but it hit me how powerful it is that Kevin was one of the first people I called regarding my father’s passing. So Kevin Geek’s Out will probably always make me think of my dad in some form.

On a lighter note, I will say that my father wanted to come to the January show and he was super excited to see me present (he liked movies quite a bit). So I’d like to dedicate this presentation to my dad. Without him I probably wouldn’t have the obsessive love for cinema that I have today.


I don’t want to leave things on a completely down note so I end this presentation with a hilarious monkey-themed scene that got cut from Jay & Silent Bob Strike Back…

Wednesday, March 8, 2017

THE WHOLE HISTORY OF MY LIFE PART SIX: UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (THE PINK SMOKE)



Check out the latest (and most personal) installment of the Whole History Of My Life series over at The Pink Smoke where I talk about my father, kidney disease and Apichatpong Weerasethakul's Uncle Boonmee Who Can Recall His Past Lives (click here or on the image above).


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