Friday, April 1, 2022

THE SCHOOL OF CHANTAL AKERMAN: PART 12 *UPDATED*

Here is the latest entry in my ongoing look at the (intentional & unintentional) visual similarities between the work of Chantal Akerman and many filmmakers that came after her.

Enjoy...


We carry trauma intergenerationally via DNA. It’s literally in our genes. So the combination of a Holocaust personal history and a fiercely feminist consciousness makes my connection to Chantal Akerman’s work very clear - Nina Menkes, Film Comment

Jeanne Dielman.../
Queen Of Diamonds



We watched some references — one big-time reference for this was Chantal Akerman - Thimios Bakatakis, Variety

Jeanne Dielman.../
Master Of None

Jeanne Dielman.../
Master Of None

Jeanne Dielman.../
Master Of None

Jeanne Dielman.../
Master Of None



Joanna Hogg co-curated an extensive traveling retrospective on Chantal Akerman (which she eventually turned in to a small book) It’s safe to assume Hogg was influenced by Akerman’s work...

Les Rendezvous D'Anna/
The Souvenir

Les Rendezvous D'Anna/
The Souvenir

Les Rendezvous D'Anna/
The Souvenir

Les Rendezvous D'Anna/
The Souvenir

Les Rendezvous D'Anna/
The Souvenir

Les Rendezvous D'Anna/
The Souvenir


While he is often tight-lipped about his (possible) influences and things he draws inspiration from -Rick Alverson's early work shares a lot of the same ambience & tone as Akerman...

Jeanne Dielman.../
The Builder

Jeanne Dielman.../
The Builder

Jeanne Dielman.../
The Builder

Jeanne Dielman.../
The Builder

Jeanne Dielman.../The Builder



Along with the recent work of Dan Sallitt...

Jeanne Dielman.../The Unspeakable Act

Jeanne Dielman.../The Unspeakable Act

Jeanne Dielman.../The Unspeakable Act

Toute Une Nuit/
Fourteen

Les Rendezvous D'Anna/
Fourteen

Les Rendezvous D'Anna/
Fourteen

Les Rendezvous D'Anna/
Fourteen

Jeanne Dielman... / The Souvenir



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