Here is the latest entry in my ongoing look at the (intentional & unintentional) visual similarities between the work of Chantal Akerman and many filmmakers that came after her.
Enjoy...
We carry trauma intergenerationally via DNA. It’s literally in our genes. So the combination of a Holocaust personal history and a fiercely feminist consciousness makes my connection to Chantal Akerman’s work very clear - Nina Menkes, Film Comment
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| Jeanne Dielman.../ Queen Of Diamonds |
We watched some references — one big-time reference for this was Chantal Akerman - Thimios Bakatakis, Variety
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| Jeanne Dielman.../ Master Of None |
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| Jeanne Dielman.../ Master Of None |
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| Jeanne Dielman.../ Master Of None |
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| Jeanne Dielman.../ Master Of None |
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| Les Rendezvous D'Anna/ The Souvenir |
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| Les Rendezvous D'Anna/ The Souvenir |
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| Les Rendezvous D'Anna/ The Souvenir |
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| Les Rendezvous D'Anna/ The Souvenir |
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| Les Rendezvous D'Anna/ The Souvenir |
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| Les Rendezvous D'Anna/ The Souvenir |
While he is often tight-lipped about his (possible) influences and things he draws inspiration from -Rick Alverson's early work shares a lot of the same ambience & tone as Akerman...
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| Jeanne Dielman.../ The Builder |
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| Jeanne Dielman.../ The Builder |
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| Jeanne Dielman.../ The Builder |
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| Jeanne Dielman.../ The Builder |
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| Jeanne Dielman.../The Builder Along with the recent work of Dan Sallitt... |
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| Jeanne Dielman.../The Unspeakable Act |
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| Jeanne Dielman.../The Unspeakable Act |
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| Jeanne Dielman.../The Unspeakable Act |
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| Toute Une Nuit/ Fourteen |
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| Les Rendezvous D'Anna/ Fourteen |
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| Les Rendezvous D'Anna/ Fourteen |
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| Les Rendezvous D'Anna/ Fourteen |
