THE SCHOOL OF BRESSON: HAL HARTLEY *UPDATED*

 

Mouchette / Trust

When I was in college and afterwards, I really came to understand and appreciate what Bresson was doing - Hal Hartley, LWLIES.COM

Jean Luc Godard is often the go-to comparison for Hal Hartley. He was once even dubbed the “Jean Luc Godard of Long Island”. And While Hartley certainly doesn’t deny Godard’s basic/surface influence, there are other filmmakers that he’s drawn inspiration from over the last 4 decades (at a certain point we need to move beyond the Band Of Outsiders/Simple Men comparison). 

Now…comparing Hartley’s work to Robert Bresson isn’t exactly breaking any new ground either. Both filmmakers have a very distinct deadpan/intentionally monotone yet very rehearsed approach (there’s a lot more to the films of Hal Hartley & Robert Bresson but if you ask the average person that’s familiar with their work, chances are they’ll mention both director’s unique deadpan style first before anything else). 

Hartley has acknowledged Bresson’s influence in a semi-reluctant way:

In 1990, with my first films, people said I was doing some sort of American Godard or Bresson thing. In any event, those two filmmakers have been important references for my work since the 80’s - Hal Hartley, psychotroniccinema.com

(years ago I went to see him speak at the IFC center and he brought up Bresson’s films as a source of inspiration multiple times).

Most of the comparisons you’ll see below are incredibly similar and that could very well be coincidental. But what sticks out to me are the moments that aren’t exactly identically shot-for-shot but still incredibly similar in tone and overall “vibe”. Their similarities go beyond the delivery of dialogue…

These two moments are shot quite different but the final result, a slap to the face, is cut off at the last minute so we don’t actually see the hand make contact to with the face… 

L'Argent / Trust

These two scenes are also shot totally different but still show the same action…

The Devil Probably / Amateur

Moments like these below show a kind of overly choreographed movement between the actors bordering on a dance routine. Again - these scenes are not identical but at the same time incredibly similar.  

The Devil Probably / Amateur

The Devil Probably /
The Girl From Monday

There are also plenty of minor moments that make the connection between Bresson & Hartley so strong which I highlight below (if you aren't familiar with the films of Robert Bresson and Hal Hartley you should probably skip this and get familiar first)

The Diary Of A Country Priest / Ambition

The Devil Probably / Simple Men

Au Hasard Balthaar / Henry Fool

Pickpocket / Henry Fool

Pickpocket / Henry Fool

Diary Of A Country Priest / Simple Men

Au Hasard Balthaar / Ned Rifle

L' Argent / Henry Fool

Une Femme Douce / Amateur

L' Argent / Trust

Mouchette / Trust

Mouchette / Trust

Mouchette / Trust

Mouchette / Trust

Mouchette / Trust

The Devil Probably/ Ned Rifle

Mouchette / Trust

Au Hasard Balthazar/ Amateur

Mouchette / Simple Men

Au Hasard Balthazar / The Unbelievable Truth

Mouchette / Ambition

Mouchette /
Henry Fool

Four Nights Of A Dreamer /
The Unbelievable Truth

Four Nights Of A Dreamer /
The Unbelievable Truth

Mouchette / Simple Men

The Devil Probably /
Henry Fool

Four Nights Of A Dreamer /
The Unbelievable Truth

Four Nights Of A Dreamer /
The Unbelievable Truth

Here are a couple of visual and audio comparisons...

The Devil Probably / Amateur

 

The Devil Probably / Fay Grim

 

A Man Escaped / Flirt

THE SCHOOL OF MAYA DEREN: DAVID LYNCH CONTINUED

Meshes Of The Afternoon / Twin Peaks

Happy new year!

Here’s a collection of some Deren/Lynch comparisons that got left on the cutting room floor a few years back that I felt like posting for whatever reason.

This is an ongoing series so make sure to to check out the previous entries:

Part One

Part Two

Part Three 

Part Four

Part Five

Meshes Of The Afternoon /
Twin Peaks

Meshes Of The Afternoon /
Mulholland Drive

At Land /
Lost Highway

Meshes Of The Afternoon / Lost Highway

At Land / Twin Peaks

Meshes Of The Afternoon / 
Lost Highway

Meshes Of The Afternoon / Steps

Meshes Of The Afternoon / Steps

Meshes Of The Afternoon / 
Twin Peaks: The Return

Meshes Of The Afternoon / 
Twin Peaks: The Return

Meshes Of The Afternoon / Eraserhead

Meshes Of The Afternoon / Lost Highway

Meshes Of The Afternoon / Mulholland Drive

BEST OF 2023...

Even though I no longer do my annual end of the year wrap-up, I still contribute my list/thoughts to both Wrong Reel & Toronto Film Review.

Click the image below to watch/listen to the newly formatted Wrong Reel podcast (make sure to subscribe) where some of the the unofficial "wrong reel all-stars" tackle 2023...

And click below to see the many different best-of -2023 lists rounded up by David Davidson of Toronto Film Review...

YANNICK

I normally don’t like when filmmakers poke fun at critics. Their “clap-backs” at negative criticism are either really juvenile or just not very witty. To be clear - I have no problem with a filmmaker defending themselves or even (momentarily) stooping to the level of an immature critic that crosses the line. Just be good with your response. Don't be flat or generic. If you’re going to take a swing at the low-hanging fruit - at least make sure that you knock it out of the park. Filmmakers rarely do this.
Quentin Dupieux’s latest short feature is an exception. I haven't been to excited about the 2023 movie year but Dupieux's Yannick sort of restored my faith. This story is an interesting case because Dupieux takes on the perspective of not only the entitled critic, but he also takes the side of the disgruntled artist as well. In the film we see an audience member (“Yannick”) kidnap a theater troop at gunpoint mid-performance because he’s displeased with their play. The basic story sounds simple enough but this film is very absurd (if you’re familiar with Dupieux’s films then you know he works in absurdity). Yannick is the product of The Exterminating Angel (a group of folks are trapped in one place and can’t leave) and The Discreet Charm Of The Bourgeoisie (the majority of Yannick plays out like a particular moment in Bunuel’s classic)...

The Discreet Charm Of The Bourgeoisie / Yannick

Any time someone makes a movie that’s considered “weird” there’s usually an impulse to compare it to either David Lynch or Bunuel. In this case the Bunuel comparison is fair. It’s also not the first time Dupieux has referenced Bunuel in his work…

He[Buñuel]’s some kind of master to me - Quentin Dupieux, tinymixtapes.com

Un Chien Andalou / Lamb's Anger

Men fascinated with women's shoes...

Viridiana / Reality

Quentin Dupieux takes on that brand of modern critic that trashes art because it isn’t immediately deemed a masterpiece or doesn’t speak to their specific needs. In the film, Yannick heckles the play and expresses his frustration early on in the performance and demands that the actors do something else (he eventually uses force).
If you’re on twitter, Facebook, letterboxd, tiktok, YouTube etc - then you’re familiar with that brand of movie “critic” that either tweets in the middle of a film to their followers or has their heavily edited video review ready to go minutes after walking out of the theater. When did you even have time to digest the film? Sometimes you read a letterboxd review and you can tell the person doesn’t even care about the movie they’re writing about. They just want to get a bunch of cheap (unfunny) jokes off.
There’s also that brand of critic that can only process a film through their own unique super personal life experiences and if they don’t see a character or scenario that relates directly to them, then the movie is considered a failure. I have yet to see a movie about a large Black, left-handed, kidney transplant recipient but I still manage to enjoy movies most of the time. I think more so-called marginalized critics might want to follow suit. You might appreciate movies a little more.

This is very much a "Marcus" movie so I guess it isn't for everyone. But with a running time of only 67minutes, I'd recommend anyone give this a shot. If you aren't familiar with the work of Quentin Dupieux, this is the perfect gateway.

THE SCHOOL OF PERSONA: MAY DECEMBER

I couldn’t not think of Persona when I first read Samy’s script, in the clear way that it’s such a unique example of a film that pairs these two women and where likenesses are being exchanged, or that one character is learning about the likeness of the other and trying to incorporate her into her process as an actor - Todd Haynes, Letterboxd

'

Persona / May December

I caught a handful of Persona-esque shots in Todd Haynes May December only to discover afterwards that it was intentional (click here to learn about Haynes' influences on his latest film). Normally, a filmmaker being influenced by one of Bergman's most recognizable films seems like low-hanging fruit but this is the first time Haynes has been so open about Bergman's influence (he usually draws from the likes of Chantal Akerman, Douglas Sirk, etc).

Below are all of the worthwhile references/similarities I caught (some super obvious and others not so obvious).

And in Persona, Liv Ullmann plays an actress who’s been stricken with stage fright and has stopped speaking. Bibi Andersson is a nurse and a caretaker, called in to look after her - Todd Haynes, Letterboxd

Persona / May December

That shot figures into the film Persona, but it’s not necessarily the shot you think of when we all think of Persona. The ultimate shot is where these two are almost playing as if they’re in a mirror, and their gaze turns to the lens of the camera. It’s like a dream - Todd Haynes, Letterboxd

Persona / May December

Persona did influence that scene directly - Todd Haynes, Letterboxd

Persona / May December

Persona / May December

Persona / May December

Persona / May December

Persona / May December

Persona / May December

Persona / May December

A FEW MORE WORDS ON THE CINEMATIC INFLUENCES OF JOEL POTRYKUS - PART TWO

The Firm / Ape

Joel Potrykus’ films have the unique distinction of being 100% his own while still being incredibly reference-heavy. Last year we delved in to his many homages & references (click here & here to read more). A handful of comparisons got left on the cutting room floor so I decided to post them before the year is over.

Some of these are straight from the director’s mouth while others are total reaches on my own part. Either way, enjoy…

Don't forget to check out Potrykus' own video montage of references over on vimeo (click here)

I consider myself lucky to have been so moved by Jarmusch's early films, because I'd be living a disappointing existence if I were trying to copy Star Wars - Joel Potrykus, Criterion

Permanent Vacation / Ape

Permanent Vacation / Ape

Permanent Vacation / Buzzard

Permanent Vacation / Gordon

We thought, if this Richard Linklater guy living in Texas can do it, we can do it in Michigan. We filmed ourselves hanging out and talking about nothing - Joel Potrykus, Criterion 

Slacker / Buzzard

Slacker / Coyote

Gummo– this is great, I love it, I can make that movie - Joel Potrykus, hammertoenail.com

Gummo / Ape

I was still trying to emulate Sam Raimi. Raimi is a Michigan filmmaker, and he was the guy that first made me feel I could be a filmmaker - Joel Potrykus, moviemezzanine.com

Evil Dead 2 / Buzzard

Last year we looked at a parallel between Ape and Cassavetes’ Killing Of A Chinese Bookie (click here to read). Hear are a few more…

As Cassavetes says ‘The face is the best landscape’ - Joel Potrykus, Bomb Magazine

The Killing Of A Chinese Bookie / Ape

The Killing Of A Chinese Bookie / Ape

Alan Clarke is one of my biggest influences, because his work feels more raw and real - Joel Potrykus, Bomb Magazine

Christine / Ape

Yeah, The Road Warrior. He's just eating that dog food out of the can. Ever since I was a little kid, I was like, "Wow, if the world goes to shit, you can find dog food or cat food and you'll be fine." I was always obsessed with that. Especially since in the first Mad Max, he's out in a field eating a peanut butter and honey sandwich or something like that. He's gone from the domestic bliss of peanut butter to the wasteland version of dog food out of the can. I loved that. - Joel Potrykus, avclub 

Mad Max 2 / Alchemist Cookbook

Mad Max 2 / Buzzard

Here are some more (non-confirmed) visual similarities that stuck out to me…

Mean Streets / Ape

A Clockwork Orange / Alchemist Cookbook

DARK HABITS: ALMODOVAR PODCAST - EPISODE 19

I made an appearance on the DarK Habits podcast to chat about some topics I'm well versed in...