In the film, Logan Marshall Green plays "Grey Trace" - a recently widowed and disabled auto-mechanic that agrees to be the guinea pig for a controversial procedure, “STEM”, that will allow him to walk again. As the movie unfolds we learn that Trace’s paralyzation, STEM and the death of his wife are all connected.
The Robocop comparisons are super obvious but Upgrade director Leigh Whannell made a point to mention the similarities himself...
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| Robocop / Upgrade |
With Upgrade, there's certainly a nostalgia there associated with '80s sci-fi films that I grew up with, like Robocop - Leigh Whannell, Vulture
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Besides the basic premise of a man turned in to a half human/half robotic killing machine, there are some very specific moments/beats between the two films that go beyond basic nostalgic influence.
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The movies that inspired me are the movies that I always loved. Films like the original Terminator, which is one of my favorite films. RoboCop, The Thing - Leigh Whannell, thenerdstemplar.com
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| Terminator / Upgrade |
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| The Thing / Upgrade |
And I know almost every movie can be connected to Stanley Kubrick in some way, but as Upgrade unfolds, "Stem" starts to act just like Hal from 2001...
2001... / Upgrade
The subject matter of Upgrade was certainly prescient given the rise of artificial intelligence everywhere (it seems like so much of what we read and deal with online and in academia has become a hybrid of the human element mixed with AI). All the elements for a great essay on the parallels between Upgrade and modern AI are there. I’m more interested in this film on an entertainment level. It’s just a fun action sci-fi story with a great droany score.
It has to be noted that the music for Upgrade is great and works as a standalone entity. Jed Palmer’s score would mix in perfectly between early 90s Autechre and modern-day Brian Eno.
My only complaint is that there wasn’t a part two. I know it can get tiring having to deal with non-stop sequels and “cinematic universes”, but in the case of Upgrade it makes sense. Not to spoil the film too much but the final moments of Upgrade end on a sort of cliffhanger. Sure not everything needs a sequel and you could use your imagination to think up your own Upgrade cinematic universe, but I wanted to see it for real.
*SPOILER* - the movie ends with STEM taking over Trace’s body and turning him in to the villain. At the same time - the police officer that’s tasked with trying to stop Trace/STEM is left paralyzed/immobile and in the perfect position to have a similar STEM-like procedure done to her in order to track down the new rogue STEM/Trace).
While Upgrade didn’t break any box office numbers, it still made a $14 million dollar profit off of a $3 million dollar budget and gained a small but dedicated cult fanbase. On one hand, I know Blumhouse has bigger priorities but I can’t imagine it would have been that much of a gamble to make a sequel.
Perhaps Upgrade should have been a direct-to-video release from the start. This way we would have definitely got a sequel like all the Scott Adkins and Michael Jai White DTV films that maintain a dedicated fanbase.
This is hardly a masterpiece but it remains one of my most revisited films of the last decade.
It has to be noted that the music for Upgrade is great and works as a standalone entity. Jed Palmer’s score would mix in perfectly between early 90s Autechre and modern-day Brian Eno.
My only complaint is that there wasn’t a part two. I know it can get tiring having to deal with non-stop sequels and “cinematic universes”, but in the case of Upgrade it makes sense. Not to spoil the film too much but the final moments of Upgrade end on a sort of cliffhanger. Sure not everything needs a sequel and you could use your imagination to think up your own Upgrade cinematic universe, but I wanted to see it for real.
*SPOILER* - the movie ends with STEM taking over Trace’s body and turning him in to the villain. At the same time - the police officer that’s tasked with trying to stop Trace/STEM is left paralyzed/immobile and in the perfect position to have a similar STEM-like procedure done to her in order to track down the new rogue STEM/Trace).
While Upgrade didn’t break any box office numbers, it still made a $14 million dollar profit off of a $3 million dollar budget and gained a small but dedicated cult fanbase. On one hand, I know Blumhouse has bigger priorities but I can’t imagine it would have been that much of a gamble to make a sequel.
Perhaps Upgrade should have been a direct-to-video release from the start. This way we would have definitely got a sequel like all the Scott Adkins and Michael Jai White DTV films that maintain a dedicated fanbase.
This is hardly a masterpiece but it remains one of my most revisited films of the last decade.
