Showing posts with label lars von trier. Show all posts
Showing posts with label lars von trier. Show all posts

Friday, September 18, 2020

ANOTHER ROUND: TIFF 2020 HIGHLIGHT #4



It makes sense that Thomas Vinterberg’s Another Round was put out by Lars Von Trier’s production company (Zentropa). The story kind of plays out like an actual Lars Von Trier film to some degree (Von Trier & Vinterberg have had a 20+ year friendship & working relationship). The basic plot of the film is centered around a set of loose/unofficial rules. Four school teachers come up with the idea/theory that by keeping alcohol in their system constantly it will help & improve their overall life. There’s lots of games that people add alcohol to in order to make them more fun. From peer pong to taking a shot every time someone does something repetitive, alcohol - when consumed as responsible as possible - can make things slightly more enjoyable. The teachers in the film adopt this basic premise and apply it to every day life.
If you stop and think for a second, this sounds like something out of a Lars Von Trier film.
Anyone familiar with his work knows that the plots to his movies, the process/making of his movies (or both) are usually bound by a set of rules (The Idiots & Epidemic), chapters/sections (Breaking The Waves, Manderlay, Dogville), laws and/or beliefs (The Element Of Crime). Another Round is no different. Our characters set out a basic set of rules & guidelines to live life by.
Thomas Vinterberg is no stranger to setting rules, guidelines, laws or restrictions around his movies either. His directorial debut (The Celebration) was the first Dogma feature so it was created by following rules. The characters in his misunderstood/underrated movie Dear Wendy are also bound by a set a specific guidelines they follow. This latest effort fits in with the rest of his (good) body of work perfectly.

It’s important to note that the main characters in Another Round are teachers. My mother was a high school teacher so I’ve seen that side of things. It can drain you and break your spirit. Dealing with teenagers that aren’t your own can be tiring even for one day (sometimes you have to deal with the teens and their parents). Imagine that being your job for decades. I’m not saying teachers deserve unconditional sympathy just because they’re teachers. They chose their line of work. No one forced them to do what they do. But with teaching, and almost any other profession, you sometimes hit a wall. You become jaded and less passionate about what you do every day (the first 20-25 minutes of Another Round are incredibly sad & depressing).
In an effort to combat the sadness & depression and make life “fun” again, the four friends/teachers keep their alcohol levels at a specific range at all times to feel some form of happiness. To me that’s both funny and sad. Mostly sad. If drinking is the only thing that makes life enjoyable then there might be a bigger problem to address (which does slowly come out in the film).

The experiment starts to work. The teachers find meaning again. Their students are happier and the overall tone of the film changes and that sad depressed vibe we get at the beginning is replaced with silliness, joy & happiness.
But, like most humans, the teachers push things too far and what starts out as a fun experiment eventually breaks down and becomes a problem.

When Thomas Vinterberg isn’t phoning it in (Kurske, Far From The Madding Crowd, etc), he has this unique ability to show how childish, silly & irrational adults can be in a really fascinating way. The family in The Celebration, the brothers in Submarino and the supporting cast in The Hunt are all perfect examples of this. The childishness & irrationality of men comes out in Vinterberg’s films more than anything else. But not necessarily in a judgy way. It just is what it is and a lot of men are wired a certain way. I don’t mean to make this all about gender but Another Round plays out like an updated slightly more sensitive Danish remake of Cassavetes’ Husbands. Besides the obvious fact that alcohol fuels both movies, it shows how, at times, men revert to being little boys even when they’re pushing 50. Women do the same thing but this particular movie just so happens to be about about men.
I may be reaching here (this wouldn’t be the first time), but Another Round speaks to the people who sometimes grow sick of their family life and daydream about doing whatever they want as a way to both “escape” and avoid a life of predictability & monotony. To have those thoughts is understandable. As humans we have a lot of irrational & unrealistic thoughts every day. That’s fine. But acting on it is another thing. Not everyone subscribes to what I’m about to say but when you hold a job, have a wife and children (like the main characters in Another Round), you sometimes have to put others first. You should always take care of yourself first in order to do for yourself and others to the best of your ability, but when you have a family you really can’t do whatever you want (even if you don’t have a family you can’t just do whatever you want).

That’s part of the problem with characters in this film. They try to intellectualize & romanticize what they think alcoholism is when in reality they’re just grownup dummies that have no idea what it is.


What’s so great about Another Round is that in someone else’s hands it could’ve been a mediocre goofy comedy about teachers being drunk on the job. But Thomas Vinterberg made a sad, soulful & somewhat celebratory film about men dealing with a mid-life crisis and I honestly love that.

Friday, July 24, 2020

SONIC THE HEDGEHOG


A 38 year old childless man (like myself) has no business having any kind of strong/strong-ish opinions on Sonic The Hedgehog. Sure anyone can have an opinion on any movie but when a family-less adult has an overly emotional response to child/family-friendly movie, it is a little weird to me. But that's just me. 
Sonic The Hedgehog is a family movie (which is often code for being a kids movie that parents can "tolerate"/sit through). But people my age (with or without families) have a history with sonic just as much as the kids of today. We had sonic first long for before today’s youth (I was a Nintendo kid but my next door neighbor/friend had sega so I have my fair share of memories with sonic & chaos emeralds and whatnot). I think some adults have a legitimate case to voice their opinion. Sonic is the kind of character, video game, movie, etc that can bridge generations. Chances are the kids who watch the Sonic movie have parents who played the video game and watched the cartoon when they were young.

Sonic The Hedgehog isn’t that bad for what it is. I’m seeing it catch a lot of flack on my “film twitter” timeline but you can’t compare Sonic to something like Barry Lyndon or The Long Goodbye which is what I think some folks are doing (and I don't even think a lot of them are aware of it but that’s a separate conversation for another time).

Unless you were living under a rock then you know the sonic movie was doomed from the start. The original teaser trailer and initial design of the sonic character was somewhat nightmare-inducing. It brought on comparisons to things like Von Trier’s Antichrist rather things like Toy Story, Wall-E or other family-oriented movies of that ilk (Sonic is nowhere near a Wall-E or a Toy Story but it does deserve to be mentioned along with them)...

Antichrist / Sonic The Hedgehog


Even after the sonic character went through an exhaustive CGI redesign brought on by a social media pushback (...bullying), folks still weren’t really having it. It became a punching bag for memes (I will say that this was one of the few times I agreed with the mass social media pushback/criticism of something as the original sonic design was a bit weird-looking).
After the new rollout there were pockets of campaigns from people trying to guilt folks in to seeing the sonic movie following the hard work from the CGI team who were eventually fired after the redesign. While I’m sorry when anyone loses their job, I’m not going to be pressured in to seeing something (especially when the original design was bad from the beginning). Do it right the first time (and that isn't a criticism of the designers. I'm sure the original sonic concept was green-lit by the higher-ups). I think a lot of people reacted similarly and folded their arms at the pressure of being force-fed a sonic movie that took forever to come out because of post-production issues (there were also pre-production issues going back over a year ago that also added to the negative stigma attached to the film).

Even though Sonic The Hedgehog made a nice chunk of money overall, the general consensus ranged from “Meh” to not that great (there were some overly positive reviews here & there). But in my opinion this was a fun road movie that also “tackled” things like representation without doing it in a pretentious/overly force-fed kind of way.

In the film Sonic has to make it from a small town in Montana all the way to San Francisco (with the help of good-guy sheriff James Marsden) in order to open a portal to get him back to his universe where he’ll be safe. The only problem is the evil Dr Robotnik (played perfectly by Jim Carrey) is on their heels trying to stop them. It’s the same premise as everything from E.T. to Mac & Me (the evil scientists/nameless government entity is trying to capture the friendly Alien before he/she can get back to their planet. So while the plot isn't all that original (how many plots are?), it’s a revisit of a classic science-fiction/adventure trope that hasn’t been done very well in a while with the exception of maybe Midnight Special which hasn’t really stood the rest of time (it’s certainly a solid movie but no one is really talking about it anymore which is a shame because, like Sonic, it’s a family-friendly sci-fi adventure that’s better than it’s given credit for).

Sonic has just enough Jim Carrey before things get obnoxious (he’s used sparingly throughout the movie) and it shares a lot of the same imagery & scenarios as other fun action-adventure movies that folks have enjoyed in recent years...

The Matrix / Sonic 

X-Men /
Sonic


And going back to the representation I spoke about earlier - I like to think my two Afro-Latin goddaughters (and their parents) are the prefect audience for this movie. The racial make-up of the cast of Sonic is multi-racial much like Spider-verse. Organic, non-forced/non-pretentious representation is important in movies (and all art for that matter). My goddaughters (age: 6 & 4) look like half of the important characters in this movie and that does matter. Especially for young people. It’s nice to see a non-segregated major motion picture with characters that look like you in a world where you’re still told that you look “different”. Even on a subconscious level.

On the other end of the age spectrum, my podcast partner Scott also thought the sonic movie was surprisingly good. If both children and adults with different backgrounds & perspectives find enjoyment in a harmless popcorn movie that counts for something in my book.

So while this isn’t a masterpiece (or even “GREAT”) it’s still a fun family movie that deserved better. If you haven’t seen it due to all the pre & post-production issues or you’re avoiding it due to bad word of mouth reviews, I’d give it a shot. Don’t expect too much but at the same time, it’s a pretty fun movie.
Throughout the months of April & May I saw an influx of tweets, reviews & thoughts on the films of Michael Haneke. He’s one of my all time favorite filmmakers (easily in my top 10) so I love any attention he gets.
My problem with this newfound fascination & exploration of Haneke is that it took (takes?) place during a very depressing period for a lot of us. In a time when we have covid, ridiculously high unemployment numbers (due to Covid), police brutality (“highlighted” for me with the murder of Elijah McLain), etc - why would you want to watch something like The Seventh Continent, Time Of The Wolf or the The Piano Teacher? It is my belief that Michael Haneke is a masterful filmmaker but you do have to be in a mood to watch his films. 2020 has been a shitty year. It’s a wash. The bad has absolutely outweighed the negative. Why would you want to watch depressing, cold & grim movies in a time like this?
And outside of Haneke, some of the most popular/praised/“critically acclaimed” films of this year are mostly downers. Sorry We Missed You, First Cow, Never Rarely Sometimes Always, Da 5 Bloods, Tommaso, etc.
Most of these movies I just listed are great but they’re absolute downers. I don’t know about you guys but after 4-5 sad, serious, depressing movies in a row - I need a fun, mindless, palette cleanser. That’s what Sonic The Hedgehog is to me. Allow Sonic to cleanse your palette of all the depressing shit going on even if it's for 100 minutes or so.


Monday, February 24, 2020

THE SCHOOL OF TARKOVSKY PART 25: MOVING IMAGERY

From the resurrection of dead lovers (Blade Runner 2049 & Pet Sematary) and the calming ambiance of nature (The Mountain, Nymphomaniac, Mandy, etc), to exploring the arthouse staple of the "mystique" surrounding horses on film (way too many titles to name) - below are more examples of scenes from films that remind me of the work of Andrei Tarkovsky.
While there are self-proclaimed "Tarkovsky students" represented below (Lars Von Trier & Ilya Khrzhanovsky), this entry of "The School Of..." shows more filmmakers that aren't often associated with Tarkovsky's work (Rick Alverson, Denis Villeneueve, Alex Garland, etc), so I'm fully aware that some of these similarities are completely coincidental.


Solaris /
Blade Runner 2049

Solaris /
IT (1989)

Solaris /
The Lovers On The Bridge

Nostalghia / 4

Andrei Rublev / The Wicker Man

Solaris / Mandy

Solaris / Annihilation

Solaris / Michael Clayton

Andrei Rublev /
Michael Clayton

Solaris / The Mountain

Solaris / Pet Sematary

Solaris / Nymphomaniac

Sunday, December 1, 2019

THE SCHOOL OF TARKOVSKY PART 24: MOVING IMAGERY

We took a little break from this but we're back looking at some of the visual similarities between Tarkovsky and filmmakers ranging from Claire Denis to Shane Carruth.

Enjoy

Nostalghia / The Intruder 

Andrei Rublev / Hana-Bi

The Mirror / Annihilation

The Mirror / Midsommar 

The Mirror / Midsommar

Sacrifices / Midsommar

The Mirror / The Neverending Story

Stalker / Archipelago

Ivan's Childhood / Pierrot Le Fou


Solaris / Upstream Color

The Sacrifice / Tree Of Life

Stalker  / Morvern Callar


Solaris /
Safe

Solaris / Taste Of Cement

Solaris / Happy Together




Friday, July 19, 2019

THE SCHOOL OF TARKOVSKY PART 22: MOVING IMAGERY



Solaris / Moonlight

The Mirror / Moonlight
Andrei Rublev / The Element Of Crime

The Mirror / Mandy

Andrei Rublev / The Revenant

Andrei Rublev / The Revenant

The Mirror / The Matrix

Solaris /
Knight Of Cups

Andrei Rublev / The Life Aquatic...

Solaris /
First Reformed

The Sacrifice / The Untamed

Stalker / Taurus

Stalker /4

The Mirror / Vox Lux

Solaris / Vox Lux

Andrei Rublev / We Need to Talk About Kevin

The Mirror / Star Wars


Friday, April 12, 2019

THE SCHOOL OF DREYER PART THREE: MOVING IMAGERY

I have no way of proving that most of these comparisons hold any weight. Lars Von Trier (Antichrist) has made his love for Dreyer known on many occasions, and it isn't completely out of left field to assume filmmakers like Ingmar Bergman & Tarkovsky (the generation that came after Dreyer) had some subconscious residue of influence. Ingmar Bergman has openly called Carl Theodor Dreyer an "amateur" yet at the same time he has also admitted that Dreyer's films "infected" him...

But beyond that, these are completely speculative (I doubt Sylvester Stallone, John Hughes or Charles Laughton set out to mimic or pay homage to Carl Theodor Dreyer in their respective works). I feel like I have to say that given the emotional & weirdly butt-hurt twitter cinephiles that get worked up over these movie comparisons (I know it's a crazy concept to accept that one filmmaker borrowed from another or that two unrelated moving images look similar when lined up next to each other)..

Vampyr / Andrei Rublev

Vampyr /
The Witch

Vampyr /
Antichrist

Ordet / The Night Of The Hunter

Ordet / The Hour Of The Wolf

The Passion Of Joan Of Arc / The Blair Witch Project

The Passion Of Joan Of Arc / Vera Drake

The Passion Of Joan Of Arc / To The Wonder

Vampyr / Mandy

The Passion Of Joan Of Arc / Creepshow

The Passion Of Joan Of Arc / Lil Quinquin

The Passion Of Joan Of Arc / Un Chein Andalou

Vampyr / Meshes Of The Afternoon

Once Upon A Time / Marie Antoinette

Vampyr / Home Alone
The Passion Of Joan Of Arc / Bad Lieutenant

The Passion Of Joan Of Arc /
Throne Of Blood

Ordet / Rocy 3 / Magnolia

Ordet / The Sound Of Music / Trouble Every Day

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