Showing posts with label lodge kerrigan. Show all posts
Showing posts with label lodge kerrigan. Show all posts

Monday, February 3, 2020

COMPLETE FEATURE FILMOGRAPHIES



I'm happy to announce that I've now written about the (feature length) filmographies of some of my favorite active filmmakers. Take some time throughout the rest of the year to get familiar with their work...

(*click each movie title for the individual review*)


Carlos Reygadas
Ratcatcher (The Pink Smoke)

Monday, March 18, 2019

THE SCHOOL OF GODARD PART 4: MOVING IMAGERY

Here's part four of the ongoing series on the visual similarities between the films of Godard and the directors that came after him.

Enjoy...

Pierrot Le Fou /
Moonrise Kingdom

A Married Woman / Loves Of A Blonde 

Breathless /
Inland Empire

Contempt /
Crash

Vivre Sa Ve / Stranger Than Paradise

A Married Woman / Do The Right Thing

Alphville / Claire Dolan

Alphaville / Ratcatcher

Alphaville /
Les Rednezvous D'Anna

Alphaville /
Collateral 

Weekend / Crash

Weekend / Crash

Breathless / Perfect Blue

Breathless / Rabbit In Your Headlights 


Thursday, November 1, 2018

THE SCHOOL OF CHANTAL AKERMAN PART 4: LODGE KERRIGAN


Lodge Kerrigan’s films are all his own. All bias opinions aside (he is a PINNLAND EMPIRE favorite), I can’t think of any other director who makes the films he does. Like other great filmmakers, his work doesn’t come without influence (both direct & indirect/subconscious). If you listen to the commentary track on the criterion release of his debut Clean, Shaven, Kerrigan shouts out films like The Tenant & Repulsion on more than one occasion as a source of inspiration (inspiration not influence).

With him being so open about the films that drive his own work, it isn’t too farfetched to assume other filmmakers inspire & influence him.

Lodge Kerrigan is on record shouting out the works of Chantal Akerman. While some of these comparisons below may seem like a reach (and others are absolutely not a reach) they all fall under the umbrella of being influenced/inspired by the work of Chantal Akerman.

It should be noted that outside of specific visual moments and mild thematic similarities, Akerman & Kerrigan make very different films (performances, editing, etc). These are the kinds of comparisons I love. It’s very unique (and a little difficult) to make movies that are all your own while still tipping your hat to a filmmaker that played a role shaping your love of/for cinema & filmmaking.

Note the similar framing, editing, outfits & positioning of the actors.

Enjoy...


Les Rendezvous D'Anna / Claire Dolan

Les Rendezvous D'Anna / Claire Dolan

Les Rendezvous D'Anna / Claire Dolan

Je Tu Ill Elle / Clean, Shaven

Jeanne Dielman... / Clean, Shaven

Hotel Monterey /
Clean, Shaven

Jeanne Dielman... / Clean, Shaven

Jeanne Dielman /
Clean, Shaven

Je Tu Il Elle / Clean, Shaven

Jeanne Dielman... / Claire Dolan

Les Rendezvous D'Anna /
Claire Dolan

Les Rendezvous D'Anna /
Claire Dolan

Les Rendezvous D'Anna /
The Girlfriend Experience Season One

Toute Une Nuit / Claire Dolan

Hotel Monterey /
Claire Dolan

Je Tu Il Elle / Clare Dolan

Sunday, July 1, 2018

THE SCHOOL OF CHANTAL AKERMAN PART 3

In this entry we look at Chantal Akerman's (possible) influence on some unexpected filmmakers (the Coen brothers, Vincent Gallo, etc) along with a few regular culprits who have cited Akerman's influence on numerous occasions...

Enjoy...

Hotel Monteray / Inside Llewyn Davis

News From Home / Inside Llewyn Davis

Les Rendezvous D'Anna / Safe

Les Rendezvous D'Anna / Attenberg

Jeanne Dielman... / Flanders

Jeanne Dielman... / Clean, Shaven

Jeanne Dielman... / Entrance

Je Tu Il Elle / Heat

News From Home / Shadows In Paradise

Jeanne Dielman... / The Match Factory Girl

Je Tu Il Elle / Sonatine

Jeanne Dielman... / Buffalo 66

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