Saturday, July 1, 2023

THE SCHOOL CHANTAL AKERMAN: PART 13

Jeanne Dielman / 
Evolution
 

 We're back with another installment!

In this entry we look  at Chantal Akerman's influence on everyone from Greta Gerwig (Lady Bird) & Kelly Reichardt (Wendy & Lucy) to newcomers like Kyle Edward Ball (Skinamarink) & Charlotte Wells Aftersun).

Enjoy...


Chantal Akerman's JEANNE DIELMAN was a big touchstone for me. I love that movie and I also love the time she takes with tasks - Greta Gerwig, Vanity Fair
Jeanne Dielman / 
Lady Bird

Jeanne Dielman / 
Lady Bird

Jeanne Dielman / 
Lady Bird


The above comparisons make me wonder if part of the inspiration for Gerwig's Barbie film came from Akerman's Golden Eighties...
The Golden Eighties /
Barbie


Nobody else makes a movie like Akerman. They just have that extraordinary strength of vision. To see and be near that as a 20-year-old made me see how deep and committed an artist could be - Andrew Bujalski, The Film Stage
Saute Ma Ville / Mutual Appreciation


Chantal Akerman's work definitely influenced it - Kyle Edward Ball, Fangoria
Hotel Monterey / 
Skinamarink

Hotel Monterey / 
Skinamarink

Hotel Monterey / 
Skinamarink

Hotel Monterey / 
Skinamarink

Hotel Monterey / 
Skinamarink

La Chambre / 
Skinamarink


One for the primary references I was looking at was JE TU IL ELLE by Chantal Akerman, especially the beginning of that movie - Jane Schoenbrun, ebert voices
Je Tu Il Elle / 
We're All Going To The World's Fair

The comparison & quote above makes me wonder if this was also intentional...

Saute Ma Ville / 
We're All Going To The World's Fair


One was JEANNE DIELMAN (1975), the Chantal Akerman film, because of all these ordinary actions that Delphine Seyrig carries out in the film and that our protagonist, Albert, also carries out - Lucile Hadžihalilović, BFI
Jeanne Dielman... / Earwig

Jeanne Dielman... / Earwig

Jeanne Dielman... / Earwig

I have a Chantal Akerman book with me now that I’ll just mention [Chantal Akerman: Moving Through Time and Space]. I had the book on me when I was shooting. It’s just stills from some of her movies - Chantal Akerman, reclaim the frame

Jeanne Dielman / 
Night Moves

News From Home / 
Wendy and Lucy

The Day When / 
Night Moves

La Chambre / 
Night Moves


There is [also] a tracking shot in down a hotel corridor that is very directly inspired by Hotel Monterey - Chantal Akerman, Criterion
Hotel Monterey / 
Aftersun

La Chambre is a short that she made in New York in 1972; it was the inspiration for the last shot of my film, which is kind of a 360-degree pan - Chantal Akerman, Criterion
La Chambre / 
Aftersun

Akerman's influence on Wells started well before he feature film debut. One of her short films is almost a loose remake of News From Home...

Chantal Akerman I adore, especially News From Home - Charlotte Wells, The Guardian
News From Home / 
Laps

News From Home / 
Laps

News From Home / 
Laps


The comparisons above makes me wonder if Wells was inspired by other similar shots from Akerman's films...

News From Home / 
Aftersun

The Day When / 
Aftersun

The Day When / 
Aftersun

Je Tu Il Elle / 
Aftersun

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